Home Submission Guidelines Subscribe Archived Issues Contact Us Help

Works Cited

Ascoli, Albert. “Liberating the Tomb: Difference and Death in Gerusalemme liberata.”
Annali d’italianistica 12 (1994): 159-80. 

Bianconi, Lorenzo. Music in the Seventeenth Century. Trans. David Bryant. Cambridge:
Cambridge University Press, 1982.

Brooks, Julian. “Andrea Boscoli’s Loves of “Gerusalemme liberata, Master Drawings
38, no. 4 (Winter, 2000): 448-459.

Butt, John andTim Carter, ed. The Cambridge History of Seventeenth-Century Music.
Cambridge: Cambridge University Press, 2005.

Carman, Charles H. “An Early Interpretation of Tasso’s Gerusalemme liberata.”
Renaissance Quarterly 31, no. 1 (Spring, 1978): 30-38.

Carter, Tim. “The Composer as Theorist? Genus and Genre in Monteverdi’s
Combattimento di Tancredi e Clorinda.” In Music in the Mirror: Reflections on
the History of Music Theory and Literature for the 21st Century, ed. Andreas
Giger and Thomas J. Matiesen, 77-115. Lincoln: University of Nebraska Press,
2002.

----. “Intriguing Laments: Sigismondo d’India, Claudio Monteverdi, and Dido alla
parmigiana (1628).” Journal of the American Musicological Society 49, no. 1
(Spring, 1996): 32-69.

----. “The North Italian Courts.” In The Early Baroque Era from the late 16th Century to
the 1660s, ed. Curtis Price, 23-48. Englewood Cliffs, N.J.: Prentice Hall, 1993.

Corrigan, Beatrice. “Erminia and Tancredi: The Happy Ending.” Italica 40, no. 4 (Dec.,
1963): 325-333. 

Cusick, Suzanne G. “Gendering Modern Music: Thoughts on the Monteverdi-Artusi
Controversy.” Journal of the American Musicological Society 46, no. 1 (Spring,
1993): 1-25.

Da Pozzo, Giovanni. “Last Assaults and Delayed Victory in Tasso’s Liberata.” Italica
74, no. 3 (Autumn, 1997): 319-338.

Del Giudice, Luisa, ed. Western Gerusalem: University of California studies on Tasso.
New York: Out of London Press, 1984.

Fabbri, Paolo Monteverdi. Trans. Tim Carter. Cambridge: Cambridge University Press,
1994.

Fenlon, Iain. “Music and Spectacle at the Gonzaga Court, c. 1580-1600,” Proceedings of
the Royal Musical Association 103 (1976-77), 90-105.

Fichter, Andrew. “Tasso’s Epic of Deliverance.” PMLA 93, no. 2 (Mar., 1978): 265-74. 

Finucci, Valeria, ed. Renaissance Transactions: Ariosto and Tasso. Durham: Duke
University Press, 1999.

Giamatti, A. Bartlett. The Earthly Paradise and the Renaissance Epic. New York and
London: W.W. Norton & Co., 1966.

Gordon, Bonni. Monteverdi’s Unruly Women: The Power of Song in Early Modern Italy.
Cambridge: Cambridge University Press, 2004.

Gough, Melinda. “Tasso’s Enchantress, Tasso’s Captive Woman.” Renaissance
Quarterly 54, no. 2 (Summer, 2001): 523-552.

Haar, James. Essays on Italian Poetry and Music in the Renaissance 1350-1600.
Berkeley: University of California Press, 1986.

Lee, Rensselaer W. “Armida’s Abandonment: A Study in Tasso Iconography Before
1700.” In De Artibus Opuscula XL: Essays in Honor of Erwin Panofsky, ed.
Millard Meiss. New York: New York University Press, 1961. 

----. Poetry into Painting: Tasso and Art. Middleburg, Vt.: Middlebury College, 1970. 

----. “Ut Pictura Poesis: The Humanistic Theory of Painting,” The Art Bulletin 22, no. 4
(Dec., 1940): 197-269.

MacClintock, Carol. Giaches de Wert (1535-1596): Life and Works. American Institute
of Musicology, 1966.

Mace, Dean T. “Tasso, La Gerusalemme Liberata, and Monteverdi,” in Music and
Language, 118-156. Vol. 1, Studies in the History of Music. New York: Broude
Brothers Limited, 1983

Mazzali, Ettore. “Literature: Torquato Tasso: An Introduction.” In The Late Italian
Renaissance 1525-1630, ed. Eric Cochrane, 134-148. London: Macmillan, 1970.

Migiel, Marilyn. “Tasso’s Erminia: Telling an Alternate Story,” Italica 64, no. 1 (Spring,
1987): 62-75.

----. Gender and Genealogy in Tasso’s “Gerusalemme liberata”. Lewiston: E. Mellen
Press, 1993.

Newcomb, Anthony. The Madrigal at Ferrara 1579-1597. Vol. 1. Princeton: Princeton
University Press, 1980.

Owens, Jessie Ann. “Marenzio and Wert Read Tasso: A Study in Contrasting
Aesthetics.” Early Music 27, no. 4 (Nov., 1999), 555-570, 572, 574.

Pirrotta, Nino. Music and Culture in Italy from the Middle Ages to the Baroque: A
Collection of Essays.  Cambridge, Mass.: Harvard University Press, 1984.

---- and Elena Povoledo. Music and Theatre from the Poliziano to Monteverdi. Trans.
Karen Eales.  Cambridge: Cambridge University Press, 1982.

Quint, David. “Epic and Empire,” Comparative Literature 41, no. 1 (Winter, 1989): 1-32.

Rhu, Lawrence. The Genesis of Tasso’s Narrative Theory: English Translations of the
Early Poetics and Comparative Study of their Significance. Detroit: Wayne State
University Press, 1993.

Said, Edward. Orientalism. New York: Vintage Books, 1979.

Sampson, Lisa. “The Mantuan Performance of Guarini’s Pastor fido and the
Representation of Courtly Identity,” The Modern Language Review 98, no. 1
(Jan., 2003): 66-83.

Strong, Roy. Art and Power: Renaissance Festivals 1450-1650. Woodbridge, Suffolk:
The Boydell Press, 1984.

Tasso, Torquato. Gerusalemme liberata (JerusalemDelivered). Ed. and trans. Anthony
M. Esolen. Baltimore: The John Hopkins University Press, 2000.

Tomlinson, Gary. Monteverdi and the End of the Renaissance. Berkeley: University of
California Press, 1987.

Treloar, Stephanie Lynn. “The Madrigals of Giaches de Wert: Patrons, Poets, and
Compositional Procedures.” PhD. diss. Harvard University, 2003.

Unglaub, Jonathan. Poussin and the Poetics of Painting: Pictorial Narrative and the
Legacy of Tasso. Cambridge and New York: Cambridge University Press, 2006.

Waterhouse, E. “Tasso and the Visual Arts,” Italian Studies 3 (1947-48): 146-162.
Zatti, Sergio. The Quest for Epic from Ariosto to Tasso. With introduction by Albert
Russell Ascoli, ed. Dennis Looney, trans. Sally Hill and D. Looney.  Toronto:
University of Toronto Press, 2006.

 

(works cited)

Go to page: 1 2 3 4 5

works cited

notes

 

 

 

(works cited)

Go to page: 1 2 3 4 5

works cited

notes